Amanda Green and Trey Anastasio work a new number with the cast during Hands on a Hard Body rehearsals at La Jolla Playhouse.
Final dress rehearsal for Mitchell’s return in Hedwig and the Angry inch at the Belasco Theatre in New York City. Drawn for Vanity Fair.
Director Bill Condon leads a production meeting in the studios of La Jolla Playhouse.
The company gathers downstage to watch principal ballerina Susan Jaffe’s final dress rehearsal with American Ballet Theatre at the Metropolitan Opera House in June of 2002.
Felicia Rashad leads rehearsal of Michael Benjamin Washington’s developing new work, Blueprints to Freedom at La Jolla Playhouse in 2015.
Director David Schweitzer oversees The Mines of Sulphur, first rehearsal with orchestra at City Opera, Lincoln Center, 2005.
Susan Jones and company in rehearsal at the Kennedy Center in Washington, DC, 2001.
In the house during first preview for Up Here at La Jolla Playhouse, 2015.
Kathleen Marshall and Kenneth Lonergan with Josh Hamilton, Tribeca Theater Festival, 2004. (Drama Department)
Lighting Designer David Weiner, making adjustments on stage during tech rehearsals for Up Here at La Jolla Playhouse, 2015.
Dancers from the Paul Taylor Dance Company watch from the wings during a performance at City Center in New York City.
Principal dancer Fang-Yi Sheu, recovering from an ankle injury, watches rehearsal in the studio, 2003.
Composer Henry Krieger plays a new section of music for arranger Sam Davis and Musical Director, Greg Jarrett, Sideshow, La Jolla Playhouse, 2014.
Set designer, Julian Crouch at the Belasco Theater during tech rehearsals for the Broadway debut of Hedwig and the Angry Inch, for the New Yorker.
Blair Ross, Zonya Love and Keala Settle in rehearsal for Sideshow, La Jolla Playhouse, 2014.